Sunday, April 6, 2008

DIY Mic

Hi,

last week I run into interesting site about digital room correction (DRC) - http://www.duffroomcorrection.com/wiki/Main_Page
... and I think this could help my little room :)

I installed BruteFIR (convolution program) and ported it to MacOS X. Jack OS X is also a nice to have.
DRC-FIR (http://drc-fir.sourceforge.net/) is also a nice package, but I found FuzzMeasure much better (http://www.supermegaultragroovy.com/products/FuzzMeasure/).

Anywat you need a measurement microphone to record a room impulse response. The key point here is to have it calibrated, but those mics are really expensive... therefore I made myself one :D
It is based on WM-61 capsule (with Linkwitz mood) running on 9V battery. I haven't done a microphone microphone, since I have an external "sound card" with a very good microphone amplifier.
It works nicely, except it is not calibrated - still need to know how to calibrate it (at least approximation of it).

More pictures....



Cheers,
Matej

Tuesday, October 30, 2007

Dual balanced NOS DAC AD1865 board

I've finally constructed my DAC board (with "I2S" line input and without I/V stage since I want to experiment). Power supply regulation is made of precision voltage regulator + fast opamp (AD826). Top side of the board is ground plane.




Matej

USB DAC

SPDIF is "crap". Really! It is simple but to have low-jitter at the DAC it requires quite complex circuit (PLL w/ FIFO). Ideal: slave transport w/ very good clock, get I2S directly and reclock at DAC requires tweaking CD player. No go... but USB is quite a good solution. Digital from computer (where I have lots of music; also it can provide more accurate bit stream since it does not require real-time reading from CD), PCM2707 (not very low jitter), using external Tentlabs 12Mhz low jitter clock. Nice.
The USB board is DDDAC1753 mkII. See picutre(s).

USB board output I2S but I need AD1865 compatible format (18-bit, MSB, standard). I do not like using a digital filter like DF1704, since I will have to oversample to 96Mhz. So I built (PCB in construction) a circuit using shift registers and flip-flops. I learned Eagle (and Eagle 3d).



Note: I also take a loot at gates jitter (and also CPLD, FPGA) and found out that HC is good enough (having not bad PS).

Matej

DAC I/V stage

It seems that transformer I/V is not so simple. Well it is, but I was not sure it will work and to test it I would need to but transformers that are very expensive. Too expensive to play with. OK, so I started to study solid state I/Vs. Op-amps are no go. I/V should have ideally 0 ohm impedance to DAC and be very low noise. After a few days of studying transistor topologies, current mirrors/sources, I came up with idea (not new): common base + current mirror + resistor (+ buffer). AD844 (used as common base; trans. current. amplifier) is very good and easy start, making a discrete one (see Pedja Rogic circuit). I did simulations and I will try those... :)

Matej

Tuesday, September 25, 2007

DIY activities (my ultimate DAC + amplifier all-in-one design)

Hi!

Last week I did quite a lot of studies on my ultimate DAC + amp all-in-one design. Since I will put DIY aside for a couple of weeks (but still some minor work) I will describe my design here so that I will not forget it.


DAC



Inspiration of Retro DAC project with exception of the PSU and output stage. For PSU I will use my battery power supply Daja (maybe try some Young super-regulator later). I will bypass SLAs w/ 22000uF low ESR caps and WIMA MKPs (I can put some 5R before the caps not to have huge currents when connected to SLAs). I plan to connect Sowter 9762 transformer directly to the Iout of the DAC and then vary (volume control) voltage with the resistance on the secondary. Read this:


Yes, a transformer transforms the impedance by the square it's winding ratio. And it will transform the current or voltage by the winding ratio (voltage up current down for stepup transformers).

In other terms, if you have a DAC with an Output current of +/-1.2mA for full scale and you apply this current to the primary of a 1:10 Transformer you will give +/- 120uA on the secondary. To get a 5.65V Peak Peak signal from this current you need around 23k5 as I/V resistor. This 23k5 will be transformed into the transformers primary by the square of the 1:10 winding ratio, namely 100. So the load reflected upon the DAC's current output is around 235 Ohm.

Clearly, an output impedance of 23KOhm is impractical, so if we follow the Transformer plus I/V resistor with an active stage we can reduce the I/V resistor.

Let's use a 6922 as Valve for the analogue stage. It has a gain of around 29db with a 22k Anode load and around 3K output impedance. For 2V RMS (5.65V P-P) from the Anode we need around 200mV P-P or 100mV Peak. So we require 100mV from 120uA or 833 Ohm. Let's use 1k for arguments sake, so we require a 1:10 transformer that can be loaded with 1k and this will then reflect an impedance of 10 Ohm plus all direct current resistive losses.

While looking good on paper this is not a very practical transformer to find of the shelf, so we are back to first converting our current to Voltage with a suitable resistor (say 10 Ohm) and then stepping it up with a traditional 1:10 Stepup Transformer (for microphones and or MC Pickups) loaded with it's usual secondary load (say 10k giving a 100R Load in parallel with the 10R I/V conversion resistor) to give use 100mV Peak from the DAC's output into our Valve stage.
and this.
The idea is to connect it to the gain stage of the power amp directly, if possible. Otherwise, either Aikido 6SN7/6SL7 octal output stage or UGS V3 preamp driven via SLAs (+ huge caps)!



Amplifier


I will be very short here since it is very simple: UGSs V3 preamp + FirstWatt F4 output buffer. Something like this.



All is completely balanced (differential) design.



Speaker protection


I did quite some reading on speaker protection (DC at speaker output can destroy speaker drivers). Initially I planned to use Velleman K4700, but later I found ESP P33 much more advanced.



Matej

Test of integrated amplifiers

Last two weeks I tested a couple my integrated amplifiers. My subjective observations:

  • Pathos ClassicOne mkIII - very musical, but a little but to gentle for me. For romantics :)

  • Copland CTA305 preamp + Audio Research 150.2 amp - this was not a real test of each component. I found Copland one step backwards to my Aikido preamp - lack of air and detail. I cannot judge the AR.

  • MBL 7006 - a complete new league compared to the amplifiers I've tested. Very airy, a new definition of bass (more tight), noiseless, outstanding dynamics, but...

  • Burmester 051 - a real gem, especially in lower frequencies is a class of its own! Noiseless, muscial, airy, almost too analytica, but with atouch of softness. I really like this one...

  • NAD M3 - a very good integrated amplifier. With exception of the lower frequencies in class of Burmester 051. In terms of highs and dynamics maybe even slightly better. I prefer NAD M3 to MBL 7006.



Matej

DIY cable

I made my own DIY mains cable, well almost. Yesterday I got a decent IEC plug and I have to connect it and do some tests. Later... meanwhile you can only "admire" my pictures.

Matej

Wednesday, September 12, 2007

AC mains cable does make a difference!

Until I had not tried Nordost Brahma mains cable (on mbl 7006) I did not believe that mains cable makes a difference. I said that they cannot possibly make a difference after all these miles of lousy cable all the way from the power-station, well from the transformer. However, they do...


Therefore, I will most likely DIY one.


One DIY project: TNT TTS
And maybe more scientific approach: VH Audio
And another: Scoobidoo



Intersesting it is that no shielding is used (to achieve lower capacitance) - also Brahma does not have it.

Matej

Friday, August 31, 2007

Aikido is in the game!!!

Today I replaced AudioNode output PCB with Aikido (w/ tantalums and Mundorf Silver/Oil coupling caps). Result?! Outstanding! Sound is more natural, instuments have more body, dynamics is unbeliveable - you can feel (sonic waves) the music. Bass has tightened.


I have to solve one issue - one channel has 160V other 210V. Aikido balances this, but I have to solve this.


Matej

Thursday, August 30, 2007

My parts selection

My best-of selection:

Coupling caps: Mundorf Silver/Oil
Polypropyene caps: WIMA MKP
Low-noise (digital) caps: BG NX
HV PSU caps: EPCOS 435xxx series (did not try others)
Resistors: Vishay VTA52/55 (of course, tantalums are not bad)


Riken Ohm : Good balanced sound; improvement on cheap metal films.

Tantalum (AN and Shinkoh) : A little more detail than Riken, nice midrange, but upper midrange and treble can be a bit harsh.

Vishay VTA52 / VTA55 : Amazing. By far the best. More detail, smoother sound, very lifelike.


Matej

Friday, August 17, 2007

Aikido

I started working on Aikido. Aikido is a great topology (noise cancellation). It can be used for headphone amplifier/line stage/pre-amp, etc. See picutres.


I plan do do a class-A power amplifier based on Aikido input stage and MOSFET output stage - called MOSKIDO ;)

Cheers,
Matej

Battery Powered PSU - Daja


Today I've finally completed Battery Powered PSU (named Daja). Its is fully automatic (no switches at all, triggered by client - 12V trigger) based on relays. When not used battery are being charged. Charging is advanced using several stated: batery revival (trickle charge), current limited charging, voaltage limited charing and finally float charge. No maintainence is needed. Connectors are RCA and all fully fused.

See pictures with comments.

Cheers,
Matej

Thursday, August 2, 2007

Aikido

Now DAC output stage is a "simple" SRPP. It sounds nice, but.... it can be made better. After lots of investigation I decided to go Aikido way. It is really great design and very flexsible. I might try Moskido as well.

I've removed digital PSU out of DAC and mounted new PSU. Now everyhing is nice and clean. No bruuum and background noise. Great!

SLA battery chager (UC3906) prototype works. I plan to built 4 on them on a board and put SLAs in nice separate chassis. I will use RCA conectors (standard and thay have good connections).

Matej

Monday, July 30, 2007

Coupling caps

After quite some investigation I will most likely go for Mundorf Silver/Oil. Possible candidaces are: Audience Auricap and Audio Note Copper Foil (Silver Foil are way too expensive). Since I have WIMA MKP at home, I will try these as well (for fun - they should be very transparent and thin).

Value is determined by C = 1/(2*pi*R*f), where f is a roll-off frequency. Coupling cap forms a high-pass filter with resistor and impedance of the next stage (power amplifier). I recommend values 470nF and larger.

Matej

Wednesday, July 25, 2007

It plays... to cry for!!!


Last days I've done and learned lots of things, experiments, playing with the osciloscope, etc.

However today I've installed my new HT PSU and the sound is to cry for: soundstage is wide, instrumets got played by musicians, everyhining is so much real and alive.

SiC diodes, EPCOS 220uF LL caps, 2k2 resistors (2W) in CRCRC configuration bypassed with terrific WIMA MKP4 4,7uF.

Got to go now... litstning to the music :)

Matej

Saturday, July 21, 2007

Optocoupler volume control

Audio level control with resistive optocouplers

DIY Audio thread (very looooong).

Use low noise PSU (SLA battery) and add capacitor (good 100uF low-LSR; consider Murata 47uF ceramic) in parallel to LDR LEDs.
I recommend usage of Silonex NSL-32SR2S (sorted, matched).

Matej

On SLA PSUs...

"... you power it with unregulated +/-12V SLA batteries and use plenty of fast capacitance across the battery terminals and bypass caps at the IC pins ..."

Sunday, July 15, 2007

PSU implementations

Hi,

this weekend I am working on the PSU reimplementation.
After lots of thinking I end up with.

HT PSU - simple (R)CRCRC using high quality electrolyte aluminium capacitors (220uF; low ERS, high ripple current - e.g. EPCOS), bypassing them with polypropene (4,7uF; WIMA MKP4). Since ElCo-s are slower than polypropene and do not hanle high requencies well, I will use decoupled electrolytic capacitor technique - patented by Audio Research. See AR-LS22 schematic for realy good design. I like it very much.



LV PSU - simple C(R)C with LM317 regualtor (initialy low ripple configuration, later with slow start-up). This power could also be used as digital power supply (receivers, USB, XO-DAC).


Matej

Reclocking (implementation)

(mail to Guido Tent)

Hello,

I am considering buying an XO-DAC, but I have one technical question before purchasing.
I have use CS8414 and AD1865N (Audio Note config).

Using XO-DAC will get MCK (and DGND) from the CS8414 and will output clean clock. Since no filter is being used, connection is not so straight forward.
CS8414 has outputs:
- MCK
- this is being replaced by XO-DAC
- SCK (=MCK/4)
- I can get this by dividing new MCK (2 flip-flops)

The question is what to do with these:

- FSYNC
- SDATA

I guess simply aligning them (w/ D flip-flops) to the new MCK, is the best ting to do? Right.
Well, decoding SDATA and FSYNC to left/right data before D flip-flops is slightly better - to avoid gate's jitter.

Matej

Saturday, July 14, 2007

TP3 voltage

To get 5.25V on TP3, R26 should be cca 1k66.

But as soon as I ground digital board I get 4.9V on TP3.
Of course, I not grounded there is no music. I really must get those V/I transformers ASAP.